Essayists 20th century

Erskine co-wrote the 1900 Varsity Show at Columbia, writing the musical score for The Governor's Vrouw (1900), a two-act comic opera by Henry Sydnor Harrison and poet Melville Cane , who also wrote the lyrics. [8] [9] He won the Butler Medal in 1919. During his career Erskine published over 100 books, [1] though as a writer he first received acclaim with his novel The Private Life of Helen of Troy (1925). [7] This novel was made into a silent film by the same the name in 1927, directed by Alexander Korda . Other films based on his works included A Lady Surrenders (1930) by John M. Stahl , Bachelor of Arts (1934) by Louis King and The President's Mystery (1936) directed by Phil Rosen . The 1956 biopic of French noblewoman Diane de Poitiers entitled Diane was based on his story with a screenplay by Christopher Isherwood . [10] He was also the author of numerous publications, including several humorous novels retelling myths and legends, besides essays, criticism, and two volumes of autobiography. These included Penelope's Man and Adam and Eve, Though He Knew Better . [11]

As to the moral view that may be taken of the whimsi calities of female fashions, we might refer to the numerous papers of Steele, in the Taller and Speciator, and also the writings of other 18th century essayists. Passing these over, it is enough to quote the words of Hazlitt: “Fashion,” he says, “ constantly begins and ends in two things it abhors most—singularity and vulgarity. It is the perpetual setting up, and then disowning a certain standard of taste, elegance, and refinement, which has no other formation or authority than that it is the prevailing distraction of the moment, which was yesterday ridiculous from its being new, and to-morrow it will be odious from its being common. It is one of the most slight and insignificant of all things. It cannot be lasting, for it depends on the constant change and shifting of its own harlequin disguises; it cannot be sterling, for, if it were, it could not depend on the breath of caprice; it must be superficial to produce its immediate effect on the gaping crowd, and frivolous to admit of its being assumed at pleasure, by the number of those who affect to be in fashion, to be distinguished from the rest of the world. It is not anything in itself, nor the sign of anything, but the folly and vanity of those who rely upon it as their greatest pride and ornament. It takes the firmest hold of weak, flimsy, and narrow minds; of those whose emptiness conceives of nothing excellent but what is thought so by others. That which is good for anything is the better for being widely diffused. But fashion is the abortive issue of vain ostentation and exclusive egotism; it is haughty, trifling, affected, servile, despotic, mean and ambitious, precise and fantastical, all in a breath; tied to no rule, and bound to conform to every rule of the minute .”

Essayists 20th century

essayists 20th century


essayists 20th centuryessayists 20th centuryessayists 20th centuryessayists 20th century